FINAL-NewNewImage-1900×2715
Image by Andrew Mallinson
A black hollow sat atop the desk.
Perpendicularly bound by a sheet of perfectly smooth glass. Realities flickered in fluctuating pixels behind the boundary. Smudges that echoed the skin seeped through fissures in the pane, rendering my body across the divide. Perfectly manicured nails printing in plurality, sparkling, glittering, in fleeting movement towards something other, something new.

Pretend to be something enough and you can surpass the original in intensity. In here the image is limitless, disembodied and created anew, do you see?

Limbs completely severed from the source, now a new form transient through space. Queered, beyond recognition. Punctured in wonder and lost, so lost in this new groundlessness underneath floating ankles, a million horizons all punctuated with pixels of potential.

Don’t you see we could be anything, spilled out into new, repeated and repeated, drenched in joy, I can feel it smothering me, can you?

The boundary seemed so distant, an obelisk echoing the past in flourishes of sound from its obsidian form. Translation was futile, what came before was indecipherable now. Everything was pitched higher, soaring frequencies rippled in lossless waves across the vastness unfurling themselves over my refracted frame.

Before I was rigid but in here now I am loose, like a river running backwards and forwards, omnipresent and potent.

Elegir con la mirada.
Recortar fotos termina con rectángulos desproporcionados.
El imaginarse lo que existe en un cuarto oscuro.
No había visto nada pero supe exactamente dónde dibujarme una linea nueva para la mandíbula.

Frótate contra cada objeto y rincón y encuentra solamente bordes lisos. Que los ásperos sean objetos de defensa, para cuando te digan estirarse es empujar. Hay una luz en tu pecho a punto de volar el techo. “Lo estás haciendo bien, [yo] soy para ti.”¹

Estos medios de comunicación no nos merecen. Tú sabes y yo sé y no hay palabras como no hay cuerpos que puedan cambiar tan rápido como nuestra fugaz.
Si piensas que esto es para ti, lo es. Cuerpos que se moldean a las miradas de extraños, y los que desafían.

No sabemos de dónde lo sacamos. Encontrándolo en mí, obteniéndolo de ti, y cada vez que te honras. Tu existencia me da nombre.

Siente hacia lo que sea, hacia todo. Me veo ahora como me veo entonces. Queer allá del reconocimiento. De fotos cortadas, una luz que crece cuando es vista.

Letter from the editors
Interview: The hidden toll of women in content moderation
A fight for generations
Visions of the unseen architect
Stories for Revolution
Obtrusive Relationships
Gathering Multitudes: A bag of stars
Fugitive Memory: for Tu’i Malila
“The Quizumba is On”: Technological Appropriation by Black Women in the Amazônia
No
Big Green Lies
Letter from the Editors
A guide to the visceral science of time travel
The Unbounded Quest
An interview with Joana Varon
An interview with Jonathan Torres Rodríguez
An interview with futures leader Anab Jain
Where would you like to place your pet giraffe?
Afropresentism – On Incantation and the Machine
Letter from the Editors
A Few Notes on the Cult of Sylphis
Speculative Tourism
Letter from the Editors
Tending to wildness: field notes on movement infrastructure
Aveia, espaçonaves, uma folha de babosa, uma pélvis: fui coletar trechos Oats, spaceships, an aloe leaf, a pelvis: I went to collect parts of the future and decided to turn around.
Προφορικό ποίημα για την προέλευση των Δικτύων Εμπιστοσύνης Narrative Poem about the Origins of Networks of Trust
The Battle to Control the Carbon Media Cycle
Archive of Disappearances
Prototyper la Banlieue du TURFU et transcender la réalité
To Become Undone
Digital artivism: pictures worth thousands of words
Ratios / Proporciónes
Shadow Visions
Letter from the Editor
Future Perfect Continuous
Be Water –  Insights into the Hong Kong protest movement
Care in a techno-capitalist world
HammamRadio, your feminist-love radio station
One Vision, One World. Whose World Then?
Play, imagine, build – the collective verbs
Venezuela – the dual crisis
Letter of the Editor
Terraforms – Or, How to Talk About The Weather
On Persistence: The Past Art/Works of An/Other Future
What the Enlightenment Got Wrong about Computers
Community Learning at Dynamicland
Imagining a Universal Declaration of Digital Rights
An interview with Audrey Tang
Dream Beyond the Wounds
The Blurring
More than HumanCentered Design
The Unpredictable Things
When the Path We Walked Blocks Our Ways Forward
Letter of the Editor
A viewpoint on Craft and the Internet
Who Controls the Internet?
Ethical Tech around the World
Interview with Gillian Crampton Smith
Life & Death
Typographic Craft
The Internet as a Lota
A Medieval Crash
A Gandhian Dream
Evolutionary Craft